Lizzie offers a different angle to the Lizzie Borden story, with Chloë Sevigny and Kristen Stewart co-starring in a psychological, suspenseful, true crime tale from the director of The Boy.
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Eli Roth’s 1980’s-inspired comedic suspense/horror film is held together by Jack Black, Cate Blanchett and Owen Vaccaro’s inspired performances when the script struggles to deliver in key moments.
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You will have a ball watching Anna Kendrick, Blake Lively, and Henry Golding scurry their way through Paul Feig’s A SIMPLE FAVOR, a comedic suspense film which is one of the more entertaining films of 2018.
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Unbroken: Path To Redemption starts off well, but then devolves into a bait-and-switch cinematic experience, where its premises becomes an afterthought for a preacher selling his family’s name.
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This might be the most irresistible documentary, or movie, of 2018. Pick Of The Litter is simply wonderful.
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Nicolas Cage stars as a lumberjack, seeking gory revenge against a gang of religious cult members who murdered his girlfriend in the wacky, bonkers horror flick Mandy.
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French/Belgium horror film Let the Corpses Tan is stylish and well-crafted, but hard to follow and convoluted.
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United Kingdom import I Am Not A Witch tells a poetic story of a young Zambian girl, wrongly accused of witchcraft, who adjusts to life in a “witch camp.”
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John Cho’s terrific performance as a dad desperate to find his missing daughter, along with a novel concept by writer/director Aneesh Chaganty, makes Searching one of the more noteworthy films of 2018.
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The Bookshop lives in a melodramatic world where a kind-hearted widow wants to open a bookshop and a town malcontent has different ideas on what the community needs.
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Regina Hall is simply wonderful in Andrew Bujalski’s Support The Girls, documenting a tumultuous day at a Hooters-like sports bar where she must make a number of important and potentially life-changing decisions for her and her girls.
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The Nun pretty much kills dead any fun and entertainment generated by The Conjuring universe.
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Earnest in approach, but suffocating in its messaging, faith-based film God Bless the Broken Road, would benefit from less affirmation and more focus on story, script, and audience.
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Three great performances, led by Rose Byrne, makes Juliet, Naked an easy, engaging film to watch, until it wrestles with eventual mediocrity.
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Hip-hop, spoken word, dramatic scenes, and unconventional storytelling lead us through the staggering My Name is Myeisha, based on a real-life police shooting of an unarmed black woman sitting in a car.
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An outright debacle of a movie, The Happytime Murders is bizarre, aimless, and impossible to recommend to anyone.
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Scotty Bowers tells all in a blistering, no holds barred, and poignant documentary about the man who arranged countless trysts for the biggest stars from the Golden Age of Hollywood.
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Crazy Rich Asians may very well be your next favorite movie. A wonderful, full-on romantic comedy offering important optics, but also delivering a smart script and charming cast.
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An important and necessary look at the lack of female directors and storytellers in Hollywood, told from the women struggling to have their voices heard.
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Ambitious, with a simple story idea people will likely warm to, Alpha is an adventure epic that seems to not quite know why it exists or who it is made for.
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