SHOULD I SEE IT

Jason Hehir's André the Giant leaves a lot uncovered, but finds a way to break through the myth and present the reality of the larger-than-life wrestling superstar. 

Offering great insight into the build to the greatest tennis match of all time, Borg vs McEnroe is a riveting, well-acted, masterfully edited winner.

I may see a worse movie in 2018, but I likely won't see one as dumb or as pointless as Blumhouse's Truth Or Dare.

Kay Cannon's directorial debut, Blockers, is a goofy, free-wheeling comedy that sneaks up on you with a surprising message of acceptance, love, and understanding. 

A QUIET PLACE, John Krasinski's directorial debut, is not only one of 2018's best films, but a masterfully conceived horror film where making a sound could potentially get you killed. 

A loving sister is forced to deal with a relapsing, drug-addicted brother in Marja-Lewis Ryan's 6 BALLOONS, premiering on Netflix, but much better than most of the weekly debuts on the service. This is well worth going out of your way to see.

Lynn Shelton's OUTSIDE IN tells the story of a nearly 40-year-old man, released after 20 years in jail, wrestling with new and old emotions, returning to a town that looks the same, but may have passed him by.

Russell Harbaugh's directorial debut, Love After Love, is a stunning, powerful drama about a family reeling from the sudden death of a father and husband. Andie MacDowell and Chris O'Dowd have never been better.

Ramen restaurants and ramen culture are explored in Koki Shigeno's documentary RAMEN HEADS, focusing on the dedication and the art in crafting the greatest comfort food in all of Japan.

Steven Spielberg's hyperkinetic, pop culture-heavy, science-fiction romp thrills you and exhausts you, often all at the same time.